Having set my wake-up call for 6:30am and my breakfast delivery for 7am, I needed to make sure that I would be awake and dressed by when my doorbell rang. I had taken my shower the night before to cut down the morning time and was dressed on time. Whew!
I actually felt pretty perky and was ready to roll when we assembled down in the lobby at 8:15am to walk over to the British Museum. They didn’t open until 10am, but we had a private viewing of the Egyptian collection set for 8:30am. We were a smidge early. They let us in, giving us a little extra time. We entered and walked up the stairs to the third floor and started our tour in Galleries 62 & 63.
For anyone not familiar with the British Museum, it is a public museum, located in the Bloomsbury district of London, which is dedicated to human history, art, and culture. Established in 1753, they have a permanent collection of eight million objects, with roughly 80,000 of those objects on public view, making it the largest museum in the world. It was also the first of its kind – a free, public, national museum.
In the early 1800s, the museum expanded its collection of Egyptian sculpture, with its acquisition of the Rosetta Stone (1802) and the colossal bust of Pharaoh Ramesses II (1818). They also acquired several pieces after the defeat of the French in the Battle of the Nile.
In Galleries 62 & 63, the death and afterlife, which held particular significance and meaning for the ancient Egyptians, is explored. This includes mummies, coffins, funerary masks, portraits, and other items designed to be buried with the deceased. Mummification, magic, and rituals are explored.
Several internal organs were removed and preserved in canopic jars. These were the lungs, intestines, stomach and liver. The brain was also removed (through the nose), but wasn’t considered to be important, so it was thrown away. The heart was kept in the body.
Small figures called shabtis were buried to magically provide for the deceased in the afterlife. Animals considered to be sacred, like bulls, crocodiles, cats, and falcons, were also mummified.
One of the highlights of these galleries is the Book of the Dead of Hunefer, which shows scenes of Hunefer’s judgement. He was a royal scribe and an overseer of cattle. It is celebrated as one of the finest surviving examples of the Book of the Dead in the world. Due to the fact that, as ancient papyrus, it needs to have special care, it is not always on public display. We were very fortunate to be able to see and photograph it.
The Book of the Dead of Hunefer dates to the 19th Dynasty (c. 1310 – 1275 BC). It contains magical spells and guides meant to help the deceased safely navigate the underworld and reach the afterlife. It is most famous for its illustrations depicting the journey through the afterlife. These included the following rituals: 1) The Opening of the Mouth – which restores the deceased’s senses so they could eat, drink, and speak in the afterlife; 2) The Weighing of the Heart – in which the deceased’s heart is weighed against the feather of Ma’at (representing truth and justice) on a scale overseen by the jackal-headed god Anubis; 3) The Devourer – if the heart was heavy with sin, it was consumed by Ammit, a hybrid beast composed of a crocodile, lion, and hippopotamus; 4) The Presentation to Osiris – if the deceased passes the judgement, they are deemed “true of voice” and taken by Horus (the falcon-headed god) to Osiris, the lord of the underworld. Osiris is shown sitting under a canopy with his sister Nephthys and his wife (who was also his sister) Isis.
Since I have an issue with my back that doesn’t tolerate standing in one place for too long, I love the modern whisper devices that allow me to hear what the person showing us around is saying without needing to be all that close to them. That lets me keep moving around while I am listening. I can also take loads of photos without too much of a crowd. That’s why most of the photos I took in the British Museum have so few other people in them.
I took a lot of photos (131 that I kept). There were so many great items to photograph. Plus the lack of people outside of my group of eighteen meant that I had a chance of getting some good ones. In more crowded situations (or more rushed) later on in the trip, I might not be so fortunate.
Once we had explored those two galleries, we moved on to Gallery 64. This one concentrated on the beginnings of ancient Egyptian civilization from about 11000 BC along the Nile.
The annual flooding of the Nile created fertile land ideal for growing crops. The culture rapidly advanced in technology and social organization during the 5th millennium BC. By the end of the Predynastic period (about 3300 BC), regional rulers began competing for power and territory. This ultimately led to the unification of Egypt in about 3100 BC. This was believed to have been under King Narmer. Egyptian hieroglyphs were invented about 3200 BC and were used for almost 4,000 years.
The first royal tombs were built in the Egyptian desert at Abydos, 56 miles (90km) north of Luxor. Funerals at this point of Egyptian history were simple and didn’t involve mummification, which was a practice that began about 2500 BC. They had a couple burials from this time in Gallery 64, which I did photograph, but thought they might be a bit much for some people who might not want to see them.
The strong central increase in wealth led to dramatic achievements in architecture, writing, and the arts. This culminated in the Great Pyramids of Giza in about 2600 BC.
Two special treasures that I photographed in Gallery 64 were the Statue of Ankhwa and the Pitt-Rivers Knife. Ankhwa was a ship-builder who was shown holding an adze, a woodworking tool indicative of his trade. This dates to roughly 2686 – 2613 BC (3rd Dynasty), was made of red granite and was probably found in Sakkara (formerly Memphis).
The Pitt-Rivers Knife (named after the archaeologist who discovered it), has an ivory grip decorated with rows of animals in relief and a flint blade with a serrated lower edge. The caramel-colored flint portion of the knife is distinctive and is of a type known as a ‘ripple-flaked knife’. At the time of the knife’s purchase for the museum its date was unknown, but in 1894 the pioneering archaeologist W.M.F. Petrie came across examples of similar knives among the grave objects in a large cemetery at Naqada. Petrie and Pitt-Rivers knew each other and were both determined to figure out when it was made. Eventually it was determined it belonged to prehistoric times. The period became known as the Predynastic (c. 4500 BC – 3100 BC) and the knife was subsequently dated to roughly 3200 BC. It was believed to have been used for ceremonial purposes only.
Next we took a glance at the items in galleries 65, 66, and 61 before heading downstairs to Gallery 4 on the ground floor. This contained the Egyptian sculpture gallery, which represents three millennia of history. The monuments displayed here were meant as vehicles for the spirits of deities, kings, and officials, and were originally placed in temples and tombs.
Our first stop was the Rosetta Stone. By this time, the museum had just opened. People were already swarming around the Rosetta Stone and posing in front of it. This made it difficult to get a decent photo of it. Patience was required, but seemed to be quite thin among several of the people there who weren’t part of our group. One woman tried to pick a fight with me, but I didn’t let her.
On my first visit to the British Museum, back in 1983, the Rosetta Stone wasn’t protected by glass and didn’t seem to hold that much interest for people. It was more of a side note. This time, it was getting nearly as much attention as the Mona Lisa does at the Louvre.
The Rosetta Stone served as the key to deciphering the ancient Egyptian language of hieroglyphics. It was stumbled upon in 1799 by a group of French soldiers who were digging foundations for a fort in the town of Rashid (or Rosetta) near Alexandria. Fortunately, they immediately recognized that their find was important.
The three languages carved into the stone are: Hieroglyphs, Ancient Egyptian Demotic script, and Ancient Greek. The presence of Greek was the main key to deciphering the hieroglyphs.
The largest Egyptian sculpture in the British Museum is of Pharaoh Ramesses II, who reigned through most of the 13th century BC (for 66 years) and died at the ripe old age of 96. The full, seated statue originally stood at the Ramesseum, Ramesses II’s memorial temple on the West Bank of the Nile at Thebes (now Luxor). It was one of a pair which faced the Nile and the temples of Karnak and Luxor on the other side of the river.
It was cut from a single block of two-tone granite and granodiorite, one of Egypt’s hardest and most prized stones, chosen for both symbolism and durability. In the closeup photo I have included, you can see that the face and crown are more of a pinkish color than the rest of the statue. This was on purpose for visual impact between the dark, earthy contrast of the body (evoking Egypt’s fertile, black soil) with the more ethereal connotations of the lighter, pinkish face and crown.
I also caught a nice photo of the head of Amenhotep III. He was the pharaoh who followed Hatshepsut and tried to erase her from history. More about them later when I post about our visit to Hatshepsut’s Temple.
Another photo that I captured (and doesn’t look like much) is part of the Great Giza Sphinx’s missing beard. I thought that was pretty cool to see. After we left the Egyptian sculptures in Gallery 4, we took a short visit to the Parthenon Sculptures in Gallery 18.
Not too far from the museum, a coach was waiting for us to take us on a sightseeing tour of London for about an hour. They made sure to include the Egyptian obelisk they call “Cleopatra’s Needle” along the Victorian Embankment. It is actually one of a pair of obelisks that were carved during the New Kingdom period and inscribed by both Thutmose III and Ramesses II. Both obelisks were on display in Alexandria for almost two millennia. Then, they were sent to London (gifted 1819, erected in 1878) and New York City (gifted 1869, erected in 1881).
After our sightseeing tour, we were taken for a pub lunch. We put in our orders the day before so the food would be ready shortly after we arrived. We sat all together in an upstairs room of the pub. We had a couple choices for a main course and a dessert plus several choices for beverages. I usually like to get whatever the best draft ale, lager, or stout might be in any particular pub or possibly a draft hard cider. This time, I got a pint of the ale with fish and chips and a sticky toffee pudding. I found a taker for the mushy peas that came with the fish and chips. I definitely had the vinegar on the fish as well as the tartar sauce.
After lunch, we headed for the Petrie Museum at the University of London.
Next – A special museum of artifacts from Egypt and the Sudan at the University of London – the Petrie Museum
