Egyptian Collection – A Traveling Fool

Once we were full of good food and drink from our pub lunch, we piled back onto the coach and headed for the Petrie Museum to see items that were either sold or donated directly to this museum by the archaeologists who found them.

I have to admit that I am an Egyptian archaeology junky and always have been. I saw my first mummy at about age 7 or 8 and was hooked. It was fully wrapped and had a few items nearby, including its coffin. Since then, any museum that I visited that had anything Egyptian caught my attention.

What made this particular trip a “must do” included the brand new Grand Egyptian Museum and the National Museum of Egyptian Civilization (where 22 royal mummies are kept and shown to the public). Then there were the temples and experiences that I did not have during my first trip to Egypt back in 2008 – Sakkara, Dendera Temple, Esna Temple, watching Nubian dancers (and ending up dancing with them), visiting a Nubian Village, sailing on a felucca, and riding a motorboat on the Nile. The final piece that made me really want to do this was the pre-cruise tour involving all of the Egyptian stuff in London and Oxford.

Even when it came to the parts I had done before, back in 2008 I was just recovering from a two-year fight with an illness that had involved surgery and six months of chemo. I did not have my full energy back then and was also just getting used to living with hypothyroidism (that I had gotten from the chemo). I am actually in much better physical condition here in 2026 than I was 18 years ago. I could engage with what I was seeing, doing, and experiencing so much easier and more fully now. Plus being 60 pounds lighter now than before helped me to say, “Hey. I’m going to ride a camel.”

The Petrie Museum of Egyptian and Sudanese Archaeology is part of London’s University College Museums and Collections. It contains over 80,000 objects, making it one of the world’s largest collections of Egyptian and Sudanese material.

The museum was established in 1892 as a teaching resource for the Department of Egyptian Archaeology and Philology. In 1913, William Matthew Flinders Petrie sold his collection of artifacts from all of his years conducting major Egyptian excavations to University College. This created the Flinders Petrie Collection of Egyptian Antiquities and transformed the museum into one of the leading collections outside of Egypt.

At this point the museum was still for the use of students and academics. It was not yet open to the public. Over the years other archaeologists added to the collections housed at the Petrie Museum.

One of the significant holdings of the Petrie Museum is a limestone head of a king. Petrie thought it could have been King Narmer, based on the similarity to another head of Narmer that he had encountered. Others have thought that it is more likely to be the Fourth Dynasty King Khufu. Narmer had been an Early Dynastic king who was credited with the unification of Egypt. Essentially the first king of both Upper and Lower Egypt.

A garment called the Tarkhan Dress, from the fourth millennium BC, is considered to be the oldest known woven garment in existence. There is also a completely see-through dress made of beads. It was possibly worn over a linen dress like the Tarkhan dress.

In one case, I saw some figures of Isis and Horus as well as one of Isis with baby Horus. At that point, I did not yet know that I would end up playing the role of Isis in our Egyptologist’s explanations of Egyptian mythology. That would not happen until we were actually in Egypt and seeing the temples.

I found the collections at the Petrie to be quite amazing to see and highly recommend seeing them to anyone who, like me, really loves Egyptian archaeology and the objects it unearths.

Next – Sir John Soanes’ fascinating home by candlelight

Having set my wake-up call for 6:30am and my breakfast delivery for 7am, I needed to make sure that I would be awake and dressed by when my doorbell rang. I had taken my shower the night before to cut down the morning time and was dressed on time. Whew!

I actually felt pretty perky and was ready to roll when we assembled down in the lobby at 8:15am to walk over to the British Museum. They didn’t open until 10am, but we had a private viewing of the Egyptian collection set for 8:30am. We were a smidge early. They let us in, giving us a little extra time. We entered and walked up the stairs to the third floor and started our tour in Galleries 62 & 63.

For anyone not familiar with the British Museum, it is a public museum, located in the Bloomsbury district of London, which is dedicated to human history, art, and culture. Established in 1753, they have a permanent collection of eight million objects, with roughly 80,000 of those objects on public view, making it the largest museum in the world. It was also the first of its kind – a free, public, national museum.

In the early 1800s, the museum expanded its collection of Egyptian sculpture, with its acquisition of the Rosetta Stone (1802) and the colossal bust of Pharaoh Ramesses II (1818). They also acquired several pieces after the defeat of the French in the Battle of the Nile.

In Galleries 62 & 63, the death and afterlife, which held particular significance and meaning for the ancient Egyptians, is explored. This includes mummies, coffins, funerary masks, portraits, and other items designed to be buried with the deceased. Mummification, magic, and rituals are explored.

Several internal organs were removed and preserved in canopic jars. These were the lungs, intestines, stomach and liver. The brain was also removed (through the nose), but wasn’t considered to be important, so it was thrown away. The heart was kept in the body.

Small figures called shabtis were buried to magically provide for the deceased in the afterlife. Animals considered to be sacred, like bulls, crocodiles, cats, and falcons, were also mummified.

One of the highlights of these galleries is the Book of the Dead of Hunefer, which shows scenes of Hunefer’s judgement. He was a royal scribe and an overseer of cattle. It is celebrated as one of the finest surviving examples of the Book of the Dead in the world. Due to the fact that, as ancient papyrus, it needs to have special care, it is not always on public display. We were very fortunate to be able to see and photograph it.

The Book of the Dead of Hunefer dates to the 19^th Dynasty (c. 1310 – 1275 BC). It contains magical spells and guides meant to help the deceased safely navigate the underworld and reach the afterlife. It is most famous for its illustrations depicting the journey through the afterlife. These included the following rituals: 1) The Opening of the Mouth – which restores the deceased’s senses so they could eat, drink, and speak in the afterlife; 2) The Weighing of the Heart – in which the deceased’s heart is weighed against the feather of Ma’at (representing truth and justice) on a scale overseen by the jackal-headed god Anubis; 3) The Devourer – if the heart was heavy with sin, it was consumed by Ammit, a hybrid beast composed of a crocodile, lion, and hippopotamus; 4) The Presentation to Osiris – if the deceased passes the judgement, they are deemed “true of voice” and taken by Horus (the falcon-headed god) to Osiris, the lord of the underworld. Osiris is shown sitting under a canopy with his sister Nephthys and his wife (who was also his sister) Isis.

Since I have an issue with my back that doesn’t tolerate standing in one place for too long, I love the modern whisper devices that allow me to hear what the person showing us around is saying without needing to be all that close to them. That lets me keep moving around while I am listening. I can also take loads of photos without too much of a crowd. That’s why most of the photos I took in the British Museum have so few other people in them.

I took a lot of photos (131 that I kept). There were so many great items to photograph. Plus the lack of people outside of my group of eighteen meant that I had a chance of getting some good ones. In more crowded situations (or more rushed) later on in the trip, I might not be so fortunate.

Once we had explored those two galleries, we moved on to Gallery 64. This one concentrated on the beginnings of ancient Egyptian civilization from about 11000 BC along the Nile.

The annual flooding of the Nile created fertile land ideal for growing crops. The culture rapidly advanced in technology and social organization during the 5^th millennium BC. By the end of the Predynastic period (about 3300 BC), regional rulers began competing for power and territory. This ultimately led to the unification of Egypt in about 3100 BC. This was believed to have been under King Narmer. Egyptian hieroglyphs were invented about 3200 BC and were used for almost 4,000 years.

The first royal tombs were built in the Egyptian desert at Abydos, 56 miles (90km) north of Luxor. Funerals at this point of Egyptian history were simple and didn’t involve mummification, which was a practice that began about 2500 BC. They had a couple burials from this time in Gallery 64, which I did photograph, but thought they might be a bit much for some people who might not want to see them.

The strong central increase in wealth led to dramatic achievements in architecture, writing, and the arts. This culminated in the Great Pyramids of Giza in about 2600 BC.

Two special treasures that I photographed in Gallery 64 were the Statue of Ankhwa and the Pitt-Rivers Knife. Ankhwa was a ship-builder who was shown holding an adze, a woodworking tool indicative of his trade. This dates to roughly 2686 – 2613 BC (3^rd Dynasty), was made of red granite and was probably found in Sakkara (formerly Memphis).

The Pitt-Rivers Knife (named after the archaeologist who discovered it), has an ivory grip decorated with rows of animals in relief and a flint blade with a serrated lower edge. The caramel-colored flint portion of the knife is distinctive and is of a type known as a ‘ripple-flaked knife’. At the time of the knife’s purchase for the museum its date was unknown, but in 1894 the pioneering archaeologist W.M.F. Petrie came across examples of similar knives among the grave objects in a large cemetery at Naqada. Petrie and Pitt-Rivers knew each other and were both determined to figure out when it was made. Eventually it was determined it belonged to prehistoric times. The period became known as the Predynastic (c. 4500 BC – 3100 BC) and the knife was subsequently dated to roughly 3200 BC. It was believed to have been used for ceremonial purposes only.

Next we took a glance at the items in galleries 65, 66, and 61 before heading downstairs to Gallery 4 on the ground floor. This contained the Egyptian sculpture gallery, which represents three millennia of history. The monuments displayed here were meant as vehicles for the spirits of deities, kings, and officials, and were originally placed in temples and tombs.

Our first stop was the Rosetta Stone. By this time, the museum had just opened. People were already swarming around the Rosetta Stone and posing in front of it. This made it difficult to get a decent photo of it. Patience was required, but seemed to be quite thin among several of the people there who weren’t part of our group. One woman tried to pick a fight with me, but I didn’t let her.

On my first visit to the British Museum, back in 1983, the Rosetta Stone wasn’t protected by glass and didn’t seem to hold that much interest for people. It was more of a side note. This time, it was getting nearly as much attention as the Mona Lisa does at the Louvre.

The Rosetta Stone served as the key to deciphering the ancient Egyptian language of hieroglyphics. It was stumbled upon in 1799 by a group of French soldiers who were digging foundations for a fort in the town of Rashid (or Rosetta) near Alexandria. Fortunately, they immediately recognized that their find was important.

The three languages carved into the stone are: Hieroglyphs, Ancient Egyptian Demotic script, and Ancient Greek. The presence of Greek was the main key to deciphering the hieroglyphs.

The largest Egyptian sculpture in the British Museum is of Pharaoh Ramesses II, who reigned through most of the 13^th century BC (for 66 years) and died at the ripe old age of 96. The full, seated statue originally stood at the Ramesseum, Ramesses II’s memorial temple on the West Bank of the Nile at Thebes (now Luxor). It was one of a pair which faced the Nile and the temples of Karnak and Luxor on the other side of the river.

It was cut from a single block of two-tone granite and granodiorite, one of Egypt’s hardest and most prized stones, chosen for both symbolism and durability. In the closeup photo I have included, you can see that the face and crown are more of a pinkish color than the rest of the statue. This was on purpose for visual impact between the dark, earthy contrast of the body (evoking Egypt’s fertile, black soil) with the more ethereal connotations of the lighter, pinkish face and crown. I also caught a nice photo of the head of Amenhotep III.

Another photo that I captured (and doesn’t look like much) is part of the Great Giza Sphinx’s missing beard. I thought that was pretty cool to see. After we left the Egyptian sculptures in Gallery 4, we took a short visit to the Parthenon Sculptures in Gallery 18.

Not too far from the museum, a coach was waiting for us to take us on a sightseeing tour of London for about an hour. They made sure to include the Egyptian obelisk they call “Cleopatra’s Needle” along the Victorian Embankment. It is actually one of a pair of obelisks that were carved during the New Kingdom period and inscribed by both Thutmose III and Ramesses II. Both obelisks were on display in Alexandria for almost two millennia. Then, they were sent to London (gifted 1819, erected in 1878) and New York City (gifted 1869, erected in 1881).

After our sightseeing tour, we were taken for a pub lunch. We put in our orders the day before so the food would be ready shortly after we arrived. We sat all together in an upstairs room of the pub. We had a couple choices for a main course and a dessert plus several choices for beverages. I usually like to get whatever the best draft ale, lager, or stout might be in any particular pub or possibly a draft hard cider. This time, I got a pint of the ale with fish and chips and a sticky toffee pudding. I found a taker for the mushy peas that came with the fish and chips. I definitely had the vinegar on the fish as well as the tartar sauce.

After lunch, we headed for the Petrie Museum at the University of London.

Next – A special museum of artifacts from Egypt and the Sudan at the University of London – the Petrie Museum