France – A Traveling Fool

May 30, 2025

April in Paris: The Musée d’Orsay

Prior to the trip to Paris, I checked out which venues needed a reservation and which I could just purchase a ticket for when I got there. Although reservations weren’t needed for the Musée d’Orsay, I remembered that the last couple times I had been there was a very long and slow line to purchase tickets. Those who already had tickets went right in. So tickets were purchased for me and my friends.

I also booked the Paris Big Bus Hop On Hop Off 48 Hour pass with optional River Cruise on the Seine. Although we could have simply walked through the Tuileries gardens and crossed the river to get to the museum (which was how I had gotten there in the past), I had originally planned to visit the Conciergerie and Sainte Chapelle on Day 1 of using the Hop On Hop Off pass. But Sainte Chapelle required a timed reservation and didn’t have four open slots for the day I planned to go there. So I switched a couple things around and we ended up going to the Musée d’Orsay instead.

We exchanged our vouchers for tickets at the Big Bus office on the Avenue de l’Opera, hopped on the double-decker bus and sat through the next two stops. The first stop was at the Louvre. The second stop was just across the Seine from Notre Dame.

It was nearly 10am when we passed Notre Dame and the crowd was gargantuan. The line to get in was all the way out to the sidewalk behind the Parvis and around the block from there. Those folks were not going to get inside for hours. This was the Thursday before Easter.

The next stop was right across the street from the Musée d’Orsay. The photo I have included here doesn’t look like there was a large crowd, but appearances can be deceiving. The lines near me when I took the photo were all for people like us who had purchased tickets in advance. As you can see, they were nearly empty. The crowd you can see at the back of the photo was of those without advance tickets.

We zipped on through the line to which we were assigned and got right in. Still didn’t seem too crowded inside until we got to the fifth floor. It was packed. So packed that moving around was awkward and being able to actually see the art a challenge. Looking back, I think going Holy Week was the issue. It appeared that a lot of families had school holiday that week and decided that Paris was the place to be.

I still managed to get some decent photos of some of the art. Although my size (lack thereof) makes it difficult to see over people, it does allow me to fairly easily slip in and out from around them. I could slip in, grab a quick photo, and slip out again. Not very conducive to standing and contemplating however. As an Impressionistic-style artist myself, I like to study the brush strokes of the originals. Didn’t quite get to do that this time.

And sitting? All available benches for seated contemplation were covered with swarms of children. They were camped out for the day, playing with their phones, and not moving for anything.

I made sure that I had the Van Gogh paintings covered (we circled that room twice). But I am certain that I missed some of my other favorites entirely – especially a couple of the Degas ballerina paintings, plus some of the Monets, Sisleys, Pissaros and Renoirs.

We were trying not to lose each other while endeavoring to find our favorite painters. Except for a couple of times when I went in for a stealthy photo attack, my one friend kept a hand on me so I wouldn’t disappear entirely.

When we got to the area where one of the clocks from the original railway station that had been converted into the museum was located, the crowds were considerably thinner. The floors other than the fifth (which contained most of the Impressionists and Post-Impressionists), were decidedly less packed full of people. In fact, the last two photos I took ended up being pretty much void of people.

The Degas sculpture shown here is one that I have a much smaller version of at home. Several of the paintings were among those of which I had painted my own versions, such as Monet’s Woman With a Parasol on the right of the two shown, Manet’s Peonies, and the first Degas painting shown. I have started the Van Gogh Starry Night On the Rhone, but it is not completely finished.

Once we viewed what we wanted to see on the other floors, we chose to have some lunch there in the museum. There were two cafés and a restaurant from which to choose. We picked one and settled in for a leisurely lunch before heading out to our next location. Since we had had a very full day the previous day and a full morning, we decided to change up a bit for the afternoon and do the river cruise then instead of saving it for the following day.

When we hopped back on the bus, we rode around until we reached the Eiffel Tower. Then we hopped off and got in line for the opportunity to glide along the Seine watching the city of Paris go by.

Next time –Boat Ride on the Seine

May 23, 2025

April in Paris: The Musée National du Moyen Age (Musée de Cluny)

Just a few short blocks from the Church of Saint-Séverin, is a museum I have long wanted to visit. This is the Musée du Moyen Age or the Musée de Cluny. The land upon which the museum now stands was central to the Roman city of Lutetia. A complex of cold, partially-heated and fully-heated rooms for bathing as well as outdoor areas for exercising was built in the 1^st century at this location and was in use for about two centuries.

The Cluny mansion was built in the 15^th century next to the largest remaining structure of the Roman Bath, the Frigidarium. The Cluny is the only surviving private mansion in Paris featuring a courtyard in the front and a garden in the back. It was built in what is known as the flamboyant Gothic style.

In 1843, the museum was founded using the collection of the mansion’s then owner, Alexandre Du Sommerard (1779-1842). In the 19^th century a building was constructed to link the antique thermal baths with the medieval mansion and, in the 21^st century, a new building was built to be a Visitor’s Center.

Once you buy your ticket, you are given a map of the building. The self-guided tour begins in the Frigidarium. My oh my, but this is an impressive building. I have seen many a Roman bath all over Europe and the Middle East. But they are usually archaeological excavations. This room is completely intact. It has walls and a roof. It no longer has its painted frescoes. But here and there remain traces of what once was. I did not anticipate the size of it. The ceiling soars to over 14 metres in height (over 46 feet) and the dimensions of the room are enormous.

One of the two important pieces displayed in the Frigidarium is the Pillar of the Boatmen, which was discovered beneath the Parvis in front of Notre Dame de Paris and moved here. The pieces of that pillar were created in the 1^st century. The other is the Saint Landry Pillar, which dates from the 2^nd century. They are right next to each other. I have included a photo here with the Saint Landry Pillar on the right and some fragments of the Pillar of the Boatmen on the left.

From here the tour continues in chronological order, starting in the early Middle Ages. Room 2 includes the votive Visigoth crowns from the Treasure of Guarrazar. Room 3 holds the Capitals from Saint-Germain-des-Pres, which were damaged during the French Revolution. Room 4 consists of the portal of the Virgin also from Saint-Germain-des-Pres.

During the French Revolution, the heads of the statues on the western front of the exterior of Notre Dame de Paris were lopped off. This was because the people who did the beheading mistakenly thought that the statues were of the Kings of France. They were actually of the Kings of Judah. After the Revolution, the statues on the cathedral were given new heads. The damaged originals were not discovered until 1977 and were given to the Cluny. They are displayed in Room 5 along with the statue of Adam, who used to stand just inside of the south entrance of Notre Dame with Eve (who is missing).

Room 6 contains several examples of medieval Limoges Enamel. It also has what has been referred to as the Treasure of the Three Kings. These items date from the 12^th century and therefore have no connection to the Magi (which would have been 1^st century). Whoever did own these objects would have been quite wealthy.

We sort of zipped through Room 7 (with items from other parts of France around 1200) and headed straight for Room 8. This room held several items from Sainte Chapelle, which had been removed and/or damaged during the Revolution. There were three very well preserved apostles plus some other more fragmentary statuary and some panels of stained glass windows. All date from the 13^th century.

Unfortunately, ignorance and violence often go hand in hand, destroying people, buildings, tombs, books and art. During the French Revolution, not only were statues and windows destroyed in the churches, chapels and cathedrals but, in some cases the entire building. This happened with the church of Saint-Louis-de-Poissy.

This was the priory church of the monastery of Poissy which King Philip IV (also known as Philip the Fair) founded in honor of his grandfather, King Louis IX, who was canonized in 1297. The monastery was located directly opposite the church in which Saint Louis was baptized. The angels on display here in Room 9 are 13^th century and pretty much all that remain from that church.

The following Room 10, contains art in France during the reign of Philip the Fair and his sons. This includes an intricately carved ivory case (or casket) titled “Attack on the Castle of Love”, created in the 14^th century.

The stairs to go up to the 1^st floor were blocked off. Rooms 11 through 16 were closed. These were all in the 15^th century portion of the building. It wasn’t possible to view, much less go into, the courtyard either. I was very disappointed as the building itself had as much interest for me as the art it contained. Room 16 was the chapel and was still decorated as such. Instead we needed to retrace our steps back all the way through Room 2 to get an elevator to rooms 17 through 21. We would end up seeing these rooms backwards. For continuity I am talking about them in the correct chronological order.

Room 17 included the Cross of Pietro Vannini. He was an Italian goldsmith who created the unusual bi-face cross in the 15^th century. Although my photo doesn’t quite convey it, the cross is quite stunning on both sides. From Room 17, we could also look down into Room 3 with the Capitals from Saint-Germain-des-Pres.

Room 17 encircled Room 18, which held what they referred to as “arts of combat”. I have a small collection of a few swords, daggers, plus a pistol or two (flint lock) and have a fascination with antique arms and armor. Whenever I am in a place that has historic weaponry, I always check it out. Such items tend to bring history to life. Rooms 19a, 19b and 19c were dedicated to daily life.

Then came Room 20. This room held the six The Lady and the Unicorn tapestries. Five are dedicated to the senses touch, taste, smell, hearing and sight. The sixth tapestry is titled “To my only desire”.

I have a large needlepoint version of the tapestry dedicated to the sense of smell. It is unfinished as of yet. The originals date from roughly 1500 and are quite intricate. They had nice cushioned benches in the center of the room so we could sit down and gaze upon them all. I have included a photo of the room which shows how they are displayed and gives a decent indication of their size.

The last room contained religious furnishings from north of the Alps in the late Middle Ages. It was a very large room filled with a lot of interesting stuff. One item of interest was a group of stalls from Saint-Lucien-de-Beauvais Abbey. They were commissioned in 1492. The monks and canons, who had to stand for most of the services, were able to lean back on the small ledges on the underside of the folding seats to ease their legs. The ledges are called misericords, or mercy seats, because rest was considered to be a great mercy granted by God.

Some of the tapestries of the story of Saint Etienne (Saint Stephen) hang on the wall above the stalls. From his election to the deacons to his burial in Rome, the story of St Etienne’s life is recounted in great detail and annotated with captions for each scene.

Once we had seen everything we could see, we looked at each other and said, “taxi”. We had walked from the hotel to Notre Dame. Then visited the Archaeological Crypt, had lunch, visited the Square René Viviani and Saint Julien le Pauvre, then the Church of Saint-Séverin, and finally the Musée Cluny. None of us relished the idea of walking all the way back to the hotel. So we walked over to the Boulevard Saint Michel (Saint Michael) and up to the corner of that street and Boulevard Saint Germain and hailed a cab.

Back at the hotel, we rested up a bit and dressed up for dinner. We ate at the very nice French restaurant in the hotel. For my main course, I had a Seafood Salad, which consisted of Scottish smoked salmon, shrimp, avocado, and citrus fruits on a bed of greens. For starters, I had Chestnut Soup. We all had wine with dinner.

Next time –Musée d’Orsay

May 16, 2025

April in Paris: The Archaeological Crypt Plus Two Old and Diverse Churches

The entrance to the Archaeological Crypt was right behind the bleachers upon which we sat to take photos of the exterior of the Cathedral of Notre Dame de Paris. This was at the western end of what is officially known as Parvis Notre Dame – Place Jean Paul II.

The current level of the Parvis is roughly 4 to 5 meters (approximately 13 to 16 feet) higher than the ancient ground level. The current riverbank of the Seine has also moved roughly 50 meters (approximately 164 feet) to the south of the original. That means that the ancient riverbank was essentially in the middle of the current square.

Workers in 1842 discovered the original western steps of Notre Dame, which had ended up under several centuries of repaving. Then, in 1847, the foundations of the Roman wall and of the cathedral of Saint Etienne were found during further excavations.

In 1965, while excavating for a new underground parking garage, even more ancient foundations were discovered. The plans for the parking garage were modified and the site was opened to the public in 1980. I have included a photo of the actual Roman Port with a video behind it to indicate what the port would have looked like back when it was being used. I also have a photo of the steps down to the port.

Then there are the remains of the 4^th century Roman hot baths. The under-floor heating system is still visible. There are also some of the items that have been unearthed during the excavations, such as weapons, tools, and portions of sculptures. There was one sculpted face that I captured because I found it quite interesting. Couldn’t find any information about what it was, however. It seems like it could be a more modern piece of art included in the display.

One of the major sculptures discovered here is called The Pillar of the Boatman and is on display in the Roman frigidarium at the Musee National du Moyen Age (also known as the Musee Cluny). The next post will be about our visit to that museum.

By this time, we needed a lunch break. We headed across the Seine to the Latin Quarter on the Left Bank. Just on the other side of the bridge was a café I had visited four years earlier while in Paris on the Avalon Waterways Grand France River Cruise. One of our number remained to take ownership of our table once we could be seated. The rest of us headed downstairs to the restrooms in the cellar.

After lunch (I had a Croque Monsieur and some fresh-squeezed orange juice) we made our way through the Square René Viviani to visit the Eglise Saint-Julien-le-Pauvre. When the original 6^th century Church of St. Julien existed, the area that became a square in 1909 had been a cemetery. During the 19^th century some Merovingian-era graves and tombs had been found near the walls of the current Saint-Julien-le-Pauvre.

A rather odd-looking and modern fountain was erected in the square in 1995. It is known as the Saint Julien fountain and is meant to represent the legend of Saint Julien the Hospitaller, which involves a curse by witches, a talking deer, a case of mistaken identity, a horrific crime, several improbable coincidences, and a supernatural intervention. It was a popular tale back in the Middle Ages.

In addition to containing pieces of several sculptures that had once stood on portions of Notre Dame de Paris (and had been discarded during past renovations), the Square is also known for being the location of the oldest tree in Paris. It was planted back in 1601 from a Locust tree seed brought back from the Appalachian Mountains in the U.S. It is supported by a couple of concrete crutches and continues to bloom every year. It is just outside of Saint-Julien-le-Pauvre.

The 6^th century version of this church was torn down and rebuilt at roughly the same time as Notre Dame was being built. It was begun in the Romanesque style, but is mostly Gothic. It was begun between 1165 and 1170 upon the foundations of the older church. It is referred to as the “oldest church in Paris” (it was begun after Notre Dame but completed well before it). Of the city’s 12^th century churches (Saint Germain des Pres was outside of the city when it was built), it is the only one that has survived.

Like most religious and/or royal structures, it too was treated poorly during the French Revolution and used as a storage depot for salt. In the 19^th century, the church was restored and then assigned to the Melkite Greek Catholic Church. Since this group is adverse to sculptural decoration, there is just one statue remaining inside. It is a 17^th century carved wooden statue of the Virgin Mary and Child. The Melkite Greek Catholic Church does favor icons and so the walls of the two side aisles have several icons displayed on them.

It did not take long to see the entire church as it was quite small. Since a lovely 15^th church was close by along a pedestrian-only street, we headed there next to see a church that was quite different in size and style from this small gem.

The Church of Saint-Séverin was originally constructed in 1230. After a fire in 1448 during the Hundred Years’ War, it was rebuilt and enlarged in the 15^th to 17^th centuries. Parts of the original church still exist however. The lower portion of the bell tower remains as do other bits and pieces throughout. The portal is actually from another, earlier church and the nave was built in two different styles and eras — High Gothic (13^th century) and Flamboyant (15^th century). The stained-glass windows come from many different centuries and are in many different styles. Although it is a bit of a hodge podge, it all works together quite harmoniously.

The church was named after Saint Séverin of Paris. He lived on the site of the present church in the 6^th century. One of his pupils was Clodoald (Saint Cloud). After Saint Séverin’s death, a chapel was erected on the site of his cell. This was destroyed during the Norman invasions in the 9^th century and rebuilt in the 11^th century.

After the University of Paris (now the Sorbonne) was founded in 1215, Saint Séverin became its parish church. This necessitated a much larger building which was begun in 1230.

During the French Revolution, the church was closed and used to store gunpowder. Later it was used for storing grain and church bells (which were being melted down to make cannons). Ironically, one of the oldest church bells in Paris, cast in 1412, is located at Saint Séverin.

A very distinctive feature of the apse behind the altar is the twisting central pillar and surrounding pillars that resemble stone palm trees. The branches reach up and spread into an intricate web of vaulting. The central pillar is illuminated and is quite striking.

This was another place where we sat and drank it all in for a while. Then we headed for the Musee National du Moyen Age, also known as the Musee Cluny.

Next time –Musee Cluny (Musee National du Moyen Age)

May 9, 2025

April in Paris: The Beautifully Restored Notre Dame

Once Notre Dame was open again to visitors, they were requesting that all visitors book a reservation on their website. The reservation could only be booked a day or two ahead of when we planned to visit. I kept my eye on the website in case they decided to expand the time in which a reservation could be booked. Then they decided to suspend all reservations for the Holy Week. Since that was the week we would be in Paris, we were left with the possibility of either having several hours to stand in line, or possibly not even getting in.

A French friend of mine had just been in Paris in December to visit his family and told me that the trick was to get there early in the day – as early as possible after they opened. On the day we planned to go, they were going to be open to tourists from 8am to 1:30pm. After that they would be closed to tourists to accommodate a special service. We decided we would get there by 8am.

The hotel breakfast began serving at 6:45am. We were at the restaurant when they opened. There were many items from which to choose, but we all went for a fairly light breakfast since we were walking from the hotel to Notre Dame.

Heading out from the hotel, we took a shortcut through the Louvre grounds and then walked along the river until we got to the Pont Neuf. We crossed that bridge onto the Ile de Cite and headed straight to Notre Dame. The walk had taken about 30 minutes.

It is said that a Gallic (Parisii) settlement, called Lutetia most likely existed on the Ile de City since at least the 3^rd century BC. In 53 BC, Julius Caesar traveled to Lutetia to meet with the tribal leaders, who agreed to submit to Rome. They then rebelled and were eventually defeated in battle.

After the conquest of the Parisii, the town developed mainly on the Left Bank, where the temples and baths were located. By about the 3^rd century AD, the left bank was sacked by Germanic tribes and largely abandoned. Around the mid-3^rd century, the Roman Governor had his palace on the western end of the island, near the present Palais de Justice. This was the area where we entered the island.

In 486, Clovis I, the first King of the Franks, met with Saint Genevieve about the submission of Paris. In 508, Clovis made Paris his capital. It is believed that a Gallo-Roman temple dedicated to Jupiter once stood on the site of Notre Dame.

The first cathedral of Paris, Saint Etienne, was constructed in 540 – 545, close to the west front of the present Notre Dame de Paris. The bishop of Paris, Maurice de Sully, decided in 1160 to demolish Saint Etienne and build a much larger cathedral. The area of the demolished cathedral would act as the construction site for the new cathedral. This same area (called the Parvis) was also used as the construction site for the restoration after the 2019 fire. The new cathedral would be dedicated to the Virgin Mary (“Our Lady” or “Notre Dame”).

Construction began in 1163 and was mostly completed by 1260. In the 13^th century the flying buttresses were added. The crown of thorns, a piece of the true cross, and a nail from the cross were housed in Notre Dame while Sainte-Chapelle was being built by King Louis IX (later Saint Louis). At some point, these items were returned to Notre Dame on a permanent basis.

During the French Revolution, the cathedral sustained major desecration. Then Napoleon’s coronation was held there.

Victor Hugo wrote The Hunchback of Notre Dame largely as an effort to create interest and lead to its restoration in the 19^th century. In 2019 a large fire threatened to destroy Notre Dame, but it survived. When I was last in Paris, in 2021, the building was completely covered in scaffolding and in the process of being stabilized and restored.

Each time I have visited Paris, I have included a visit to Notre Dame. It was always so dark inside. This time, it was bright and gorgeous. The beautiful altar had survived. The statue of Our Lady, and of Joan of Arc, and of various saints in their chapels had either survived intact or had been restored. The Rose Windows were still magnificent.

I momentarily held my breath while our bags were searched before we were let into the cathedral. But once we were through the doors, I let out a sigh of relief. My friends and I looked at each other as if we couldn’t quite believe we were there. I began taking photos with both my phone and my camera – 59 of Notre Dame in all (55 that I kept as four were badly out of focus)) and 24 that I am sharing in this post.

The traffic inside of the cathedral was essentially directed to the left. At this point in the day, the crowd wasn’t overwhelming. It wasn’t a problem to go at our own pace and to just sit down whenever we needed to do so to contemplate it all. We stopped. We examined. We remarked to each other. We were in awe.

I was noticing things I had never noticed before – perhaps because I had felt rushed in the past or because it was so much easier to see everything now. For instance, I don’t remember ever seeing the details of the choir screen before or seeing the effigy of a medieval bishop behind the altar. This is the only remaining medieval funerary sculpture still in existence in Notre Dame.

Once we got around the back of the altar, we found that we could actually go into the area directly in front of the altar for prayer only (no photos or conversations). We chose to do that and so stood in line briefly as others came out so we could go in. This was when I really felt overwhelmed and the tears came. Although I had not been raised Catholic, my companions had been and were also quite moved by the experience.

By the time we left Notre Dame, it was nearly 10am. The lines were now quite long and the Parvis had considerably more people moving about on it than when we had gone in. Stadium-like seating bleachers had been built down at the western end of the Parvis to allow people to sit and watch the restoration efforts. We went and sat there for a bit and took some more photos before heading for the Archeological Crypt right behind where we were seated.

Next time – The Archeological Crypt, Two Old and Diverse Churches and the Musee Cluny

May 2, 2025

April in Paris: Arrival

I was meeting up with some friends in Paris. I knew I would be arriving several hours ahead of them, so I planned a walk from the hotel (which was near the Louvre) to L’Eglise Saint Roch, Opera Garnier, Chapelle Expiatore, La Madelaine, Place de la Concorde, and back to the hotel. They were going to text me once they arrived and we would meet up wherever I was along the planned route.

Notre Dame had opened up to the public in early December and was, by all accounts, spectacular. We all wanted to see it as well as spend some time together. So a short trip was planned and booked at the beginning of February.

My flight arrived at Charles de Gaule airport from the US at 7am. The others were coming by train and would arrive around 2pm. I had travelled fairly light and had just one carryon and the bag that I would be using for my camera, etc. while on the trip (I had stuffed my travel purse inside of that when boarding the flight).

I figured that I would be at the hotel about 9am. Time for breakfast and then head out exploring. Wrong. It took me an hour just to get to the area where I would go through customs as well as the actual going through customs. I connected with my pre-arranged transportation at pretty much 8am on the dot. It took roughly two hours to get to the hotel. The good news what that the room was ready for me. The bad news was that breakfast was only served until 10:30am, so none for me that day. I immediately reversed my planned agenda.

I unpacked and got things settled in the room, then headed out. I would bypass Place de la Concorde (I had seen it many times on many other trips to Paris) and head straight for La Madeleine (which I had never been to before). After La Madelaine, I would get some lunch.

Originally planned by King Louis XV as the focal point of the new Rue Royal which led to what is now the Place de la Concorde, its building was halted by the French Revolution in 1789. Once Napoleon Bonaparte became Emperor in 1804, he decided (in 1806) to make it into a “temple to the glory of the Grand Army”. After his fall in 1814, the new King, Louis XVIII, resumed construction on what he figured should be an Expiatory chapel for the sins of the Revolution and the execution of Louis XVI. That idea was dropped and it was instead dedicated to Mary Magdalene. Chopin’s funeral was held there, as were the funerals of Coco Chanel and Josephine Baker, among others.

The exterior resembles a Greek Temple. It also has some gargantuan bronze doors which were fortunately open. I thought the interior was quite beautiful and well worth visiting. The fresco on the dome above the altar was called The History of Christianity. Just behind the altar was a monumental sculpture called The Ecstasy of Mary Magdalene. I was there the Tuesday before Easter. This was the Mary who had witnessed both the crucifixion and the resurrection.

Another couple of sculptures that I really liked were one of Joan of Arc and one called The Baptism of Christ. I took my time and then headed to a nearby café for a light lunch.

When King Louis XVI was executed in 1793, his body was taken to the Old Church of Saint Madelaine (now the site of the Chapelle Expiatoire) and buried there in its cemetery without much ceremony. In 1815, his and Marie Antoinette’s bodies were moved to a new tomb in the Basilica of Saint-Denis. Then, in 1816 the Chapelle Expiatoire began construction at the orders of King Louis XVIII.

The chapel wasn’t open, so I could only see the outside of it. The courtyard of the chapel is lined with symbolic tombs to the Swiss Guards who were executed along with the king.

From there, I walked over to the Opera Garnier, which I have visited in the past. It had some construction going on, so the façade was covered up. It was closed to tours as well. The gift shop was open, but I didn’t see anything I couldn’t live without. So, after resting for a bit on its steps along with a number of other people, I headed down the Avenue de l’Opera.

Turning at Rue Saint Roch, I worked my way down to the church by that name. That was when I got the text that my friends were at the hotel. I responded with the directions to Saint Roch and met them there.

In the time of Joan of Arc, it is said that she placed a cannon on a hill where Saint Roch now sits and shot it towards the Paris gate of Saint Honore. The English and Burgundians were in control of the city at the time (1429) and King Charles VII had been crowned not that long before. During the assault, Joan was wounded in the thigh by a crossbow bolt and her efforts failed. The location of the gate was roughly where 161-163 Rue Saint Honore is located today. There is a plaque on the side of the building there.

The first stone was laid in 1653 to build Saint Roch. It was built on and off over time for about a hundred years. On the 5^th of October in 1795 a large force of royalist soldiers occupied the street and the front steps of the church. In what is known as the 13 Vendemiaire, these troops were confronted by the young Napoleon Bonaparte and his artillery battery. They cleared the steps and secured the street. So began Napoleon’s quick rise to power. The marks of the artillery fire can still be seen on the front of the church.

One of the chapels that I really like is the one dedicated to the French Jews who were killed during the Holocaust. It is quite touching and contains the inscription, “Mon Dieu faites de moi un instrument de votre paix,” which translates to, “God make me an instrument of your peace.”

Tombs and memorials include Yves Saint-Laurent, Marie Anne de Bourbon (daughter of Louis XIV), Cesar de Vendome, and Jean-Honore Fragonard. The Marquis de Sade, and the Maquis de Lafayette were among those married at Saint Roch.

Not far from Saint Roch is a café that I have frequented often in the past. We had our dinner there, looking out at a gold statue of Joan of Arc standing on a little traffic island in the middle of a broad street. Although I had had a light lunch, I still wasn’t especially hungry, so I ordered Oeufs Poches Bio Florentine avec Crème Citron et un milkshake au chocolat (poached eggs, spinach and lemon cream with a chocolate milkshake). My lack of sleep on the plane the previous night was catching up to me. For some reason, my mind just wasn’t remembering that the French for a chocolate milkshake was simply “milkshake au chocolat”. Fortunately one of my friends, who speaks French better than I, helped me out (while laughing).

Back at the hotel, we decided that a nightcap would be a good idea (our rooms were on the same floor, so they could steer me to the right place). The bartender created a drink that involved Champagne, Chambord (a French raspberry liquor), lemon juice, and some crushed, fresh mint. Perfect.

Next time – The beautifully restored Notre Dame

December 15, 2022

Thoughts While on the Avalon Waterways Grand France River Cruise: Knowledge of my own ancestry within an area makes me feel more connected to it

Probably as part of my love of history, I also trace my family roots. Some people just stick to one part of their family. I don’t. I trace both sides and all the little branches that stem off from them. It has been some of those branches where I have found some of the most interesting ancestors, including the occasional saint or not so much a saint.

Full disclosure, one of Richard III of England’s henchmen, William Catesby, who has been considered to have possibly been one of the men who murdered the two princes in the Tower of London, and who died at Bosworth along with his boss, is a 16^th great grandfather. But then I share that particular ancestor with the Game of Thrones actor, Kit Harington, so that’s alright. I’m descended from Catesby’s daughter, Elizabeth, while Kit is descended from his son, George.

Since I had some Viking (Norse) ancestors head down from Norway to settle on Orkney, I definitely loved being able to spend some time on Orkney, exploring some of the places they would have been. Then we get into Scotland where there were many, many ancestors running around. One was actually murdered in Holyrood Abbey in Edinburgh.

Loads of ancestors all over England and Wales too. A Scottish de Ros ancestor acquired the original version of Belvoir (pronounced “Beaver”) Castle through marriage in the 13^th century. When his male line died out, the Manners family (a de Ros nephew who became the 1^st Duke of Rutland) took over and still owns the place. When I visited the castle, I was on a tour. But my tour group was small and given a private tour of the castle by a member of the staff. We were also greeted by the Duchess at that time.

In the United States, I have a lot of ancestral ties to Massachusetts from the 1600s in places like Plymouth, Boston, Marblehead, and Salem. In Boston especially I know where my ancestors lived and where some of them are buried. It was so wonderful to be able to walk around in that area and try to imagine back to when they were there.

For the Grand France River Cruise, I had printed out the names, dates and birthplaces of my French ancestors. There were a few hundred of them. That way, as we traveled around, I could have some context of which ancestors were from where and when.

In Arles, all of my ancestors were from such an early period of time that it was possible that some of them might have lived in houses that were built in the Arena when that was no longer used for its original purpose. The time period that those houses existed was the same as the time period of my ancestors.

I had ancestors from all over Burgundy, but I don’t necessarily know the individual towns. So, when we got to that part of France, I just took loads of photos of anything really old. I also drank a fair amount of the wines from that region.

In Normandy, I had many, many ancestors. A couple of the main towns in which they lived were Bayeux and Rouen. There were parts of both places where I felt transported back in time and could easily imagine what it might have been like in their day.

I started on my genealogical quest back in the days when I had to physically go into a library and study the microfiche and other items they might have and then send away for birth, death and marriage certificates, etc. Having access to online data sure does help enormously. There are a lot of things that can be found out without ever paying any money to anyone.

Although I love traveling to every place to which I have traveled so far, I have to admit that I get a warm and fuzzy feeling when I am someplace where I know my ancestors have been and I can get an idea of what their lives might have been like.

November 21, 2022

Thoughts While on the Avalon Waterways Grand France River Cruise: Knowledge of the history of a place makes being there more interesting

I love history anyway, so I can easily get excited over seeing someplace like Hadrian’s Wall or Egyptian pyramids and temples or battlefields like Gettysburg, Fredericksburg, Yorktown, Culloden, the D-Day landing beaches, etc. Smaller historical events are also intriguing to me.

Whether you are fascinated by history or not, knowing just a little bit about a place can make it much more interesting, such as what is the significance of an old cemetery? Who is buried there?

In St Augustine, Florida, I was fascinated by the fort. It had been built by the Spanish prior to the English settlements at either Jamestown or Roanoke, Virginia or Plymouth, Massachusetts.

In Israel, Masada would have just been several piles of rocks up on a high, hot plateau without knowledge of its history. For those who hadn’t read up on it before the trip, there was a short film down at the base that everyone watched before taking the cable car up to see it.

At Thermopylae in Greece, without knowledge of what had taken place there a couple thousand years ago, just looking at a monument to Leonides and the 300 Spartans who fought and died there wouldn’t have been all that fascinating. Since I knew the story, I could use my imagination. And a good imagination was necessary. The topography has changed quite a bit since 480 BC.

On this trip, my knowledge of Joan of Arc came in handy while in Rouen. I knew that the museum dedicated to her was in the very building where her trial had taken place. I also knew about all of the other locations associated with her.

In Avignon, I was aware of the history of the town, the Pont de Avignon, and the Palais des Papes. Despite it being a very hot day, my back hurting, and lots of stairs to climb, I was very interested in seeing it all.

Sometimes when visiting a place where you already know the history, you can find that seeing the place itself can make your understanding of it much clearer. It was one thing to read about traboules (the secret passages that had been used by the French Resistance to escape detection), but quite another to actually walk through a few of them. They had been built in the old, Renaissance portion of Lyon back when that part of the city was new. People who lived there knew about them. But people who didn’t live there were at a loss. To this day, only a handful of them are open to the public.

Although most people are well aware of who Napoleon was and his role in history, I always find it to be fun to see personal objects used by such iconic public figures. In Napoleon’s case, it was his hat on display in the library of Malmaison – the home he shared with Josephine. It made him seem more human. Like when I saw one of Queen Victoria’s gowns and Admiral Horatio Nelson’s uniform.

October 2, 2022

Grand France River Cruise – Notre Dame de Paris

This trip was the first that I have taken to Paris without spending any time inside of Notre Dame de Paris. It and Westminster Abbey in London are my favorite cathedrals. They are both very old, very large, and very historic.

It is believed that there have been religious structures of various sorts and sizes on the site of Notre Dame almost since the Parissii first inhabited the Île de la Cité in the 3^rd century BC. In 1710, the Pillar of the Boatman, which was part of a Gallo-Roman temple to Jupiter, was discovered beneath the cathedral. The remains of an early Christian church, the Cathedral of Saint Etienne, built in the 4^th or 5th century AD has also been discovered.

In 1160, the buildings on the site of where Notre Dame is now were all demolished so a new, much larger cathedral could be built in the Gothic style. Construction began in 1163 and lasted until 1345, though there have always been additions and adjustments made throughout its existence. Analysis of the vault stones that fell during the 2019 fire indicated that they were quarried in Vexin, which is northwest of Paris.

The choir was completed in 1177 and the high altar was consecrated in 1182 as part of Phase One. Phase Two involved the four sections of the nave behind the choir. This lasted from 1182 to 1190. Building of the west façade began in 1190.

Although the flying buttresses were replaced by larger and stronger ones in the 14^th century, they were originally created in the 13^th century and are now considered (because of scans showing that the upper part of the building hasn’t moved at all for the past 800 years) to have been part of the original design. This was a new innovation at the time to allow the buttresses themselves to carry the weight of the walls. The walls could then be taller and thinner, with more windows.

During the French Revolution, the statues along the West façade of biblical kings were mistaken for French kings and beheaded. Many of the original heads are now inside of the Musee de Cluny. After the Napoleonic Wars, the cathedral was in such bad condition that its demolition was being considered. Author Victor Hugo (who also wrote Les Miserables) wrote The Hunchback of Notre Dame in order to save it.

During the Paris Commune of 1871, the cathedral was threatened again. The Communards had the furniture piled up to set on fire when they realized that burning Notre Dame would also destroy the hospital next door. Fortunately World War II only created some minor damage from stray bullets.

On April 15, 2019, a fire broke out in the attic of the cathedral which ended up destroying the spire and the forest of oak beams supporting the roof. The stone vaulting in the ceiling ended up with several holes, but did not collapse.

The stabilization of the building was completed at the time of my visit in September of 2021. So the photos of all of the scaffolding and bracing that I took was erected to prevent any further deterioration and keep things safe for the teams that would be involved in the reconstruction.

Prior to the completion of the Eiffel Tower in 1889, the two towers of Notre Dame at the western façade were the tallest structures in Paris. They currently contain the ten (originally fourteen) bells of the cathedral. Some smaller bells in a carillon in the spire and in the roof were destroyed in the fire. Although the fire threatened the towers, the firefighters were able to protect and save them from destruction.

The copper statues surrounding the spire had been removed a few days before the fire. The weathervane at the top of the spire, which contained a tiny piece of the Crown of Thorns plus relics of Saint Denis and Saint Genevieve fell when the spire fell. It was recovered with the relics intact in the rubble shortly after the fire.

The gargoyles are the rain spouts. The other creatures that decorate the building are called “grotesques”. Several of them are chimera, a mythical creature with the head of a goat and the body of a lion. They seem to mostly be in pretty good shape.

The three rose windows sustained damage, but are essentially intact. Just one needs to be dismantled and stabilized.

The first clocks in the cathedral were clepsydras, which were used to tell the hours, marked by striking bells. In 1766, these were replaced by a mechanical clock which was located at the north portal. In roughly 1812, the clock and its bells were moved to the north tower.

A new clock made in 1867 was located in the forest underneath the central spire. It was destroyed by the fire. A nearly identical movement has been located at another church that will be used as a model for creating a new clock for Notre Dame de Paris.

The paved area in front of the western façade is called the Place du Parvis Notre Dame. Originally Notre Dame would have been somewhat hemmed in by other buildings. So the parvis was created to provide more majestic sightlines to the main entrance of the cathedral.

Over the centuries, the square has been greatly enlarged. A statue of Charlemagne was installed on the south side of the square in 1882 and the point zéro medallion was installed in 1924. This marker was used as a starting point for measuring distance on the National Route system in France.

Since the 2019 fire, the eastern half of the square has been closed off to be used as working space by the restoration team. In addition to Charlemagne, a statue of the Virgin and Child was also located near the parvis at the time of my visit. It was one of thirty seven representations of Notre Dame that were part of the cathedral. I don’t remember ever seeing it before, so it could have just been temporarily outside of the cathedral.

In 1965, excavation work began to create an underground parking facility under the parvis. This was when many ancient foundations, some going back to Roman times, were discovered. So the Archaeological Crypt was created beneath the parvis. Normally this is open to the public, but was not while I was there.

Next time – Thoughts while on trip about experiences, learning new things, family history and a general knowledge of the history of a place.

September 14, 2022

Grand France River Cruise – Paris Louvre & Île de la Cité

Paris is one of my very favorite cities. I think it is for a lot of people. The history, the culture, the food, the art – so much to do and see. Or, just hang out at one of the sidewalk cafes and let Paris parade by.

I am separating a post on just Notre Dame Cathedral from this one on the rest of my visit to Paris partially because of all of the photos I took of the cathedral. That post follows this one.

The included morning excursion on our full day in the city was a choice between a coach trip of the entire city of Paris, or a walking tour of part of Paris. Since I had been to Paris a few times before, I chose the walking tour. It was to take place mainly on the Île de la Cité, which was the location of the origins of Paris.

A Celtic tribe called the Parissii inhabited what eventually became the Île de la Cité starting in the middle of the 3^rd century BC. In 52 BC, the Romans settled on Paris’ Left Bank and called their settlement Lutetia. Eventually Lutetia joined with the Île de la Cité becoming Parisius and then Paris.

During the 12^th century AD, the royal residence was located at the western end of the Île de la Cité and Notre Dame Cathedral was being constructed at its eastern end. As the marshland on the Right Bank began to fill in, the city expanded in that direction. At this time the medieval Louvre fortress was extended to defend the city on the far west of the Right Bank.

Our ship was docked by the Eiffel Tower, so we were piled onto a motorcoach and driven to the Louvre, from where we would begin our tour. On the way to the Louvre, we could see the Musee d’Orsay on the other side of the Seine.

Remnants of the original medieval building of the Louvre can still be seen in the crypt of the current building. We would not be going inside though. It can take an entire day just to explore the Louvre. My mom and I had done so on a couple of previous trips.

In the 14^th century, the Louvre was converted from a fortress to a royal residence and began to be rebuilt in the 16^th century in the French Renaissance style. But in the 17^th century, the court was moved to Versailles and building at the Louvre was stopped.

The Louvre had started to house works of art during the 16^th and 17^th centuries. By the middle of the 18^th century, a public gallery began to be planned. By 1776, the Grande Galerie of the Louvre was being converted, but remained incomplete until the French Revolution.

We entered the Cour Carree through the portion of the Louvre known as the Sully Wing. This is the oldest part of the building. When I had been in the museum in 2000, there was a wonderful Rembrandt exhibit up on the 1^st floor. The Venus de Milo usually hangs out on the ground floor.

We then passed through the Pavillon de l’Horloge into the Cour Napoleon where we could see the glass Pyramid that was used as the main entrance. In the Cour Napoleon (named after Napoleon III who greatly enlarged the museum), we not only checked out the Pei Pyramid, but also the Carrousel de Louvre and an equestrienne statue of Louis XIV.

The Carrousel was a much smaller version of the Arc de Triomphe and once had the horses from Saint Mark’s Basilica in Venice at the top. Napoleon Bonaparte stole them from there. But they had been stolen from the Hippodrome in Istanbul (then Constantinople) many centuries earlier.

In addition to the Sully Wing, the other two main wings are the Denon Wing (home of both the Winged Victory and the Mona Lisa) and the Richellieu Wing (chock full of loads of cool stuff, including the rooms used by Napoleon III).

When leaving out through the Cour Carree again, we encountered a heavily-scaffolded Church of Saint-Germain-l’Auxerrois. It also had the sun behind it. So a decent photo wasn’t possible. It had been originally built in the 5th century to commemorate a meeting of Saint-Germain-l’Auxerrois with Saint Genevieve (the future patron saint of Paris) on the spot where it is said the meeting took place. Over the centuries it has been enlarged and rebuilt several times. Since the fire at Notre Dame Cathedral, it temporarily held the services that had been conducted at Notre Dame.

We headed over to the Île de la Cité where we would have visited the Conciergerie and Sainte-Chapelle Cathedral. But there was a very big trial going on which meant that both of those buildings and much of the island were off limits. The trial of 20 men accused in the coordinated attacks on Paris (on a stadium, bars, restaurants and the Bataclan concert hall) in 2015 was underway. The lone surviving actual attacker from that night, Salah Abdeslam, was the key defendant. He was also the only one charged with murder.

The Palais de Justice de Paris includes both the Conciergerie and Sainte-Chapelle in addition to the Prefecture de Police. A special courtroom had been constructed somewhere within the vast expanse of court buildings covering the west end of the island. What was needed was very high security (bomb-proof and bullet-proof) as well as an attempt to create a calming atmosphere.

Normally we would have been able to cross over the Pont Neuf to reach the Île de la Cité, but we weren’t allowed to cross there. We went down some stairs to the Quai de la Megisserie, which didn’t allow any motorized vehicles so we could walk along in relative peace and quiet while looking across the river at the island. Normally there would have been sightseeing boats along the river, but we didn’t see any other than those docked by the Pont Neuf.

In the included photo of the Île de la Cité with the Pont Neuf, can be seen an equestrian statue of Henry IV. He was the king who inaugurated the Pont Neuf in 1607.

At the Pont au Change, we went back up some stairs to see if we could cross there. We couldn’t, so we just stayed up on the street level until we got to the Pont Notre-Dame. I was so glad that it wasn’t my first (or only) time in Paris. The Conciergerie and Sainte-Chapelle are both very much worth a visit. I had been looking forward to spending some time in both.

The Conciergerie was originally part of the former royal palace. During the French Revolution, 2,780 prisoners, including Marie Antoinette, were imprisoned, tried and sentenced there. Most were executed elsewhere by use of the guillotines which were set up all across Paris. But there were still hundreds who died in what is known as the Women’s Courtyard when they were simply shot to death there.

Parts of the 10^th century building constructed under Hugh Capet still survive. The cell where Marie Antoinette was imprisoned can be visited, as well as a later chapel built in her honor. Many other historic areas of the very large building were also normally open to the public.

The original version of Sainte-Chapelle was built in 800. In 1238, Louis IX had it redesigned and enlarged. The two levels of the new chapel, equal in size, had entirely different purposes. The upper level, where the sacred relics were kept was reserved exclusively for the royal family and their guests. The lower level was used by the courtiers, servants, and soldiers of the palace.

Sainte-Chapelle is breathtaking. It appears to be all stain-glassed windows with no real structure other than the windows. It glitters and shines like thousands of jewels.

Everywhere on the Île de la Cité we could see barricades and lots and lots of police. They were watching everyone. Not wanting to attract any attention, we kept quiet and kept moving across the island towards Notre Dame. I did manage to take a quick photo of the spire of Sainte-Chapelle as we passed from a couple of blocks away.

After a fairly long time sitting in front of Notre Dame while listening to our local guide talk about its history, we crossed the Petit-Pont and had some free time on the Left Bank. I took tons of photos of Notre Dame, then a short break at the café on the corner of the road there. After that, I explored the Square Rene Viviani and the adjacent Church of Saint-Julien-le-Pauvre, which was built at the same time as Notre Dame.

When we regathered by the entrance of the square to continue our tour, we heard a lot of sirens heading our way. It turned out to be the main terrorist going right by us on his way to his trial.

Moving further into the Latin Quarter, we could see the remains of a Roman bath house upon which was built part of the Musee de Cluny (aka Musee National du Moyen Age Paris). This museum is loaded with tapestries statues and other artifacts from the Middle Ages in Paris. They also have quite a few pieces of Roman antiquity in addition to the bath house.

Once we hopped back onto the coach to head back to the ship, we drove by the Sorbonne, Pantheon, the Luxembourg Gardens, a cute little church called Notre Dame des Champs, the Hotel des Invalides (containing Napoleon’s tomb) and the Eiffel Tower again.

Next time – Notre Dame de Paris Cathedral (with loads of photos of the building in scaffolding)

August 29, 2022

Grand France River Cruise – Versailles

I had been to Versailles before (back in 2000). But it is huge, overwhelming, and usually terribly crowded. Also, on this trip in 2021, we would be able to see the private apartments as well as the Opera. Those areas had not been available to Mom and me before. I felt it was worth going a second time.

I had read that, due to the COVID-19 pandemic, the number of visitors had dropped from eight million in 2019 to two million in 2020. It seemed to me that either visitorship was up in 2021 or everybody decided to show up the same day we were there. Versailles had the most visitors of any of the places we had been to on our entire Grand France River Cruise.

Since I had been having difficulty with my back (having had surgery just two months earlier for cancer next to my spine), I was using my cane and trying to sit down whenever we needed to stand for any length of time. It wasn’t the walking that was a problem, but the standing still.

At most places we had visited, either there were empty spots to sit or people would rise and make room for me. Not at Versailles. All benches and other seating were full of mostly younger people with no visible signs of a disability. Not a soul was going to get up and allow me to sit. Most looked away and pointedly ignored me. Interesting. This was in the State Rooms. In the Private Apartments, there were much fewer people, but no spaces provided to sit down.

We began our tour with the Private Apartments, entering through the private entrance. The Private Apartments were in the original red brick chateau that Louis XIII built to replace the 1623 hunting lodge in 1631-34. Louis XIV expanded the chateau into a palace and moved the seat of his court and government there in 1682.

The oldest part of the building, with the Private Apartments, had what they called an Enveloppe built around the outside of it starting in the 1660s. This mainly contained the State Apartments and the Hall of Mirrors. Both the South and North wings were also added. All of this was mostly completed by the time of Louis XIV’s death in 1715.

From the Private Entrance, we passed through the Room of the King’s Guard before climbing the King’s Staircase. Once we were upstairs in the Private Apartments, the first room we entered was the Antichambre des Chiens. This was where the King’s dogs would sleep at night. The first interior photo with this post shows the entrance to the Clock Room as seen from the Dog’s Room.

The Clock Room has an amazing astronomical clock. The small equestrian statue in the middle of the room is of Louis XV.

The next room we entered was the King’s Private Chamber. This room had a very beautiful and ornate desk (quite different from the one at which I am currently seated). It was the first desk of its type, allowing the King to leave his papers on his desk but keep them away from prying eyes. It was from the balcony of this room where Louis XV (with tears in his eyes) watched Madame de Pompadour’s funeral procession depart from Versailles in 1764.

We passed through a few more rooms and took a look inside of the Bathchamber before entering Louis XVI’s private library. Although these rooms are considered to be small and intimate compared to the State Rooms, this library is still much larger and more ornate than the libraries of most people other than the very wealthy.

The last rooms we visited before heading back downstairs were the Porcelain Dining Room and the Buffet Room. These rooms were for more intimate suppers than the formal dining room. If there were more people than the Porcelain Dining Room could comfortably hold, the men would retreat to the Buffet Room.

Once back downstairs (down the Ambassador’s Staircase), we crossed over to where the Opera was located in the North Wing, passing through the Vestibule of the Chapel (closed for restoration) and the Stone Gallery. Built for the celebration of the 1770 marriage of the future Louis XVI to Marie Antoinette, the Opera had been built almost entirely out of wood (which has better acoustics than other materials) and painted to look like marble. This was the first time I had been able to see it. I thought it was quite beautiful. We were able to sit in the seats while we looked around and listened to our guide.

After our nice leisurely visit to the Opera, we climbed the stairs to the State Apartments. The first one we entered was the Salon of Hercules, followed by the Salon of Abundance, the Salons of Venus, Diana, Mars, Mercury, and Apollo.

At the time, I figured that they just liked naming very large, ornate rooms after Roman gods as I didn’t notice anything in particular in most of these rooms to connect with the particular deity after it was named. But I was also beginning to realize that I wasn’t going to be able to sit down again until I reached the gardens and I was getting a little testy.

The Salon of Hercules had originally been a chapel. It did have a painting involving Hercules on the ceiling, so it was appropriately named. So too was the Salon of Abundance. It had a painting with the title Abundance and Liberality. This room had once been the antechamber for the Cabinet of Curios next door. That room later became a Games Room for Louis XVI.

Actually it turned out that they all had something that did showcase the name of the room. I had to look at the photos later, when I wasn’t so cranky, to see them. The Salon of Venus, which was used for light meals during evening receptions, had a painting with Venus in it.

The main thing that I had noticed in the Salon of Diana, was a bust of Louis XIV by the great Italian sculptor Bernini. I guess I had been blind to the paintings as there were several on the walls and ceiling from the life of the Roman goddess Diana. This room had been used as a billiards room.

The Salon of Mars had a military theme and had been used mainly by the Royal Guards until it was turned into a concert room with platforms on either side of the fireplace for the musicians. The platforms are no longer there.

The Salon of Mercury was the original State Bedchamber of Louis XIV and has a replica of the original bed in it now. The ceiling paintings depict the god Mercury. The original throne room under Louis XIV was the Salon of Apollo with a painting of the Sun Chariot of Apollo in the center of the ceiling.

It is interesting to note that the apartments of Madame de Pompadour (in her days as Louis XV’s mistress) were directly above this line of salons. The King had a private staircase from his private apartments that he could take to reach her rooms. Later in life, when she was no longer the official Chief Royal Mistress, she was still a court favorite and occupied rooms on the ground floor that I believe were in the south wing.

The Salon of War is the last room before the Hall of Mirrors. It celebrates the French victories in the Franco-Dutch War during the time of Louis XIV.

The previous time I had been to Versailles, the Hall of Mirrors had been wall-to-wall people. This time it was possible to see the actual room. It was great to be able to take it all in slowly. On the right were the windows to the gardens, to the left were hidden doors to the King’s Apartments.

Built between 1678 and 1681 on the site of a terrace between the King and Queen’s apartments, the Hall of Mirrors was built to impress. Weddings, balls and diplomatic receptions took place here. This was the room where, during a masked ball, Louis XV met Jeanne-Antoinette Poisson d’Étiolles (who later became Madame de Pompadour). Both the Treaty of Paris, ending the American Revolution, and the Treaty of Versailles, ending World War I, were signed in the Hall of Mirrors.

At the other end of the Hall of Mirrors is the Salon of Peace. After zipping through that room as quickly as one could zip while navigating their way around other tourists, we entered Marie Antoinette’s State Bedchamber. This was followed by the Salon des Nobles, the Antechamber of the Grand Couvert (which had a lovely portrait of the Queen and her children), and the Guard Room.

From there we took the Queen’s Staircase down to the ground floor and exited the chateau to visit the gardens. On our previous visit, Mom and I had a fair amount of free time to spend exploring. Instead of the gardens, we walked down to the Grand Trianon, the Petite Trianon, and the Hamlet, spending our time touring all of them. This time with a much shorter period of free time and an included ticket to the gardens, I did that.

Looking at the ground and first floor plans of Versailles, I realize that there is still so much that I haven’t seen. There are the Dauphin (Crown Prince) and Dauphine (Crown Princess) apartments as well as the Queen’s Private Apartments, the Hall of Battles, the 1792 Room, the Old Wing, the Gilded Cabinet, apartments of various courtiers and the Captain of the Guard, plus numerous other chambers and salons. I wonder how much of that could be seen with the right tour or pass.

Next time — Paris