May 2025 – A Traveling Fool

May 23, 2025

April in Paris: The Musée National du Moyen Age (Musée de Cluny)

Just a few short blocks from the Church of Saint-Séverin, is a museum I have long wanted to visit. This is the Musée du Moyen Age or the Musée de Cluny. The land upon which the museum now stands was central to the Roman city of Lutetia. A complex of cold, partially-heated and fully-heated rooms for bathing as well as outdoor areas for exercising was built in the 1^st century at this location and was in use for about two centuries.

The Cluny mansion was built in the 15^th century next to the largest remaining structure of the Roman Bath, the Frigidarium. The Cluny is the only surviving private mansion in Paris featuring a courtyard in the front and a garden in the back. It was built in what is known as the flamboyant Gothic style.

In 1843, the museum was founded using the collection of the mansion’s then owner, Alexandre Du Sommerard (1779-1842). In the 19^th century a building was constructed to link the antique thermal baths with the medieval mansion and, in the 21^st century, a new building was built to be a Visitor’s Center.

Once you buy your ticket, you are given a map of the building. The self-guided tour begins in the Frigidarium. My oh my, but this is an impressive building. I have seen many a Roman bath all over Europe and the Middle East. But they are usually archaeological excavations. This room is completely intact. It has walls and a roof. It no longer has its painted frescoes. But here and there remain traces of what once was. I did not anticipate the size of it. The ceiling soars to over 14 metres in height (over 46 feet) and the dimensions of the room are enormous.

One of the two important pieces displayed in the Frigidarium is the Pillar of the Boatmen, which was discovered beneath the Parvis in front of Notre Dame de Paris and moved here. The pieces of that pillar were created in the 1^st century. The other is the Saint Landry Pillar, which dates from the 2^nd century. They are right next to each other. I have included a photo here with the Saint Landry Pillar on the right and some fragments of the Pillar of the Boatmen on the left.

From here the tour continues in chronological order, starting in the early Middle Ages. Room 2 includes the votive Visigoth crowns from the Treasure of Guarrazar. Room 3 holds the Capitals from Saint-Germain-des-Pres, which were damaged during the French Revolution. Room 4 consists of the portal of the Virgin also from Saint-Germain-des-Pres.

During the French Revolution, the heads of the statues on the western front of the exterior of Notre Dame de Paris were lopped off. This was because the people who did the beheading mistakenly thought that the statues were of the Kings of France. They were actually of the Kings of Judah. After the Revolution, the statues on the cathedral were given new heads. The damaged originals were not discovered until 1977 and were given to the Cluny. They are displayed in Room 5 along with the statue of Adam, who used to stand just inside of the south entrance of Notre Dame with Eve (who is missing).

Room 6 contains several examples of medieval Limoges Enamel. It also has what has been referred to as the Treasure of the Three Kings. These items date from the 12^th century and therefore have no connection to the Magi (which would have been 1^st century). Whoever did own these objects would have been quite wealthy.

We sort of zipped through Room 7 (with items from other parts of France around 1200) and headed straight for Room 8. This room held several items from Sainte Chapelle, which had been removed and/or damaged during the Revolution. There were three very well preserved apostles plus some other more fragmentary statuary and some panels of stained glass windows. All date from the 13^th century.

Unfortunately, ignorance and violence often go hand in hand, destroying people, buildings, tombs, books and art. During the French Revolution, not only were statues and windows destroyed in the churches, chapels and cathedrals but, in some cases the entire building. This happened with the church of Saint-Louis-de-Poissy.

This was the priory church of the monastery of Poissy which King Philip IV (also known as Philip the Fair) founded in honor of his grandfather, King Louis IX, who was canonized in 1297. The monastery was located directly opposite the church in which Saint Louis was baptized. The angels on display here in Room 9 are 13^th century and pretty much all that remain from that church.

The following Room 10, contains art in France during the reign of Philip the Fair and his sons. This includes an intricately carved ivory case (or casket) titled “Attack on the Castle of Love”, created in the 14^th century.

The stairs to go up to the 1^st floor were blocked off. Rooms 11 through 16 were closed. These were all in the 15^th century portion of the building. It wasn’t possible to view, much less go into, the courtyard either. I was very disappointed as the building itself had as much interest for me as the art it contained. Room 16 was the chapel and was still decorated as such. Instead we needed to retrace our steps back all the way through Room 2 to get an elevator to rooms 17 through 21. We would end up seeing these rooms backwards. For continuity I am talking about them in the correct chronological order.

Room 17 included the Cross of Pietro Vannini. He was an Italian goldsmith who created the unusual bi-face cross in the 15^th century. Although my photo doesn’t quite convey it, the cross is quite stunning on both sides. From Room 17, we could also look down into Room 3 with the Capitals from Saint-Germain-des-Pres.

Room 17 encircled Room 18, which held what they referred to as “arts of combat”. I have a small collection of a few swords, daggers, plus a pistol or two (flint lock) and have a fascination with antique arms and armor. Whenever I am in a place that has historic weaponry, I always check it out. Such items tend to bring history to life. Rooms 19a, 19b and 19c were dedicated to daily life.

Then came Room 20. This room held the six The Lady and the Unicorn tapestries. Five are dedicated to the senses touch, taste, smell, hearing and sight. The sixth tapestry is titled “To my only desire”.

I have a large needlepoint version of the tapestry dedicated to the sense of smell. It is unfinished as of yet. The originals date from roughly 1500 and are quite intricate. They had nice cushioned benches in the center of the room so we could sit down and gaze upon them all. I have included a photo of the room which shows how they are displayed and gives a decent indication of their size.

The last room contained religious furnishings from north of the Alps in the late Middle Ages. It was a very large room filled with a lot of interesting stuff. One item of interest was a group of stalls from Saint-Lucien-de-Beauvais Abbey. They were commissioned in 1492. The monks and canons, who had to stand for most of the services, were able to lean back on the small ledges on the underside of the folding seats to ease their legs. The ledges are called misericords, or mercy seats, because rest was considered to be a great mercy granted by God.

Some of the tapestries of the story of Saint Etienne (Saint Stephen) hang on the wall above the stalls. From his election to the deacons to his burial in Rome, the story of St Etienne’s life is recounted in great detail and annotated with captions for each scene.

Once we had seen everything we could see, we looked at each other and said, “taxi”. We had walked from the hotel to Notre Dame. Then visited the Archaeological Crypt, had lunch, visited the Square René Viviani and Saint Julien le Pauvre, then the Church of Saint-Séverin, and finally the Musée Cluny. None of us relished the idea of walking all the way back to the hotel. So we walked over to the Boulevard Saint Michel (Saint Michael) and up to the corner of that street and Boulevard Saint Germain and hailed a cab.

Back at the hotel, we rested up a bit and dressed up for dinner. We ate at the very nice French restaurant in the hotel. For my main course, I had a Seafood Salad, which consisted of Scottish smoked salmon, shrimp, avocado, and citrus fruits on a bed of greens. For starters, I had Chestnut Soup. We all had wine with dinner.

Next time –Musée d’Orsay

May 16, 2025

April in Paris: The Archaeological Crypt Plus Two Old and Diverse Churches

The entrance to the Archaeological Crypt was right behind the bleachers upon which we sat to take photos of the exterior of the Cathedral of Notre Dame de Paris. This was at the western end of what is officially known as Parvis Notre Dame – Place Jean Paul II.

The current level of the Parvis is roughly 4 to 5 meters (approximately 13 to 16 feet) higher than the ancient ground level. The current riverbank of the Seine has also moved roughly 50 meters (approximately 164 feet) to the south of the original. That means that the ancient riverbank was essentially in the middle of the current square.

Workers in 1842 discovered the original western steps of Notre Dame, which had ended up under several centuries of repaving. Then, in 1847, the foundations of the Roman wall and of the cathedral of Saint Etienne were found during further excavations.

In 1965, while excavating for a new underground parking garage, even more ancient foundations were discovered. The plans for the parking garage were modified and the site was opened to the public in 1980. I have included a photo of the actual Roman Port with a video behind it to indicate what the port would have looked like back when it was being used. I also have a photo of the steps down to the port.

Then there are the remains of the 4^th century Roman hot baths. The under-floor heating system is still visible. There are also some of the items that have been unearthed during the excavations, such as weapons, tools, and portions of sculptures. There was one sculpted face that I captured because I found it quite interesting. Couldn’t find any information about what it was, however. It seems like it could be a more modern piece of art included in the display.

One of the major sculptures discovered here is called The Pillar of the Boatman and is on display in the Roman frigidarium at the Musee National du Moyen Age (also known as the Musee Cluny). The next post will be about our visit to that museum.

By this time, we needed a lunch break. We headed across the Seine to the Latin Quarter on the Left Bank. Just on the other side of the bridge was a café I had visited four years earlier while in Paris on the Avalon Waterways Grand France River Cruise. One of our number remained to take ownership of our table once we could be seated. The rest of us headed downstairs to the restrooms in the cellar.

After lunch (I had a Croque Monsieur and some fresh-squeezed orange juice) we made our way through the Square René Viviani to visit the Eglise Saint-Julien-le-Pauvre. When the original 6^th century Church of St. Julien existed, the area that became a square in 1909 had been a cemetery. During the 19^th century some Merovingian-era graves and tombs had been found near the walls of the current Saint-Julien-le-Pauvre.

A rather odd-looking and modern fountain was erected in the square in 1995. It is known as the Saint Julien fountain and is meant to represent the legend of Saint Julien the Hospitaller, which involves a curse by witches, a talking deer, a case of mistaken identity, a horrific crime, several improbable coincidences, and a supernatural intervention. It was a popular tale back in the Middle Ages.

In addition to containing pieces of several sculptures that had once stood on portions of Notre Dame de Paris (and had been discarded during past renovations), the Square is also known for being the location of the oldest tree in Paris. It was planted back in 1601 from a Locust tree seed brought back from the Appalachian Mountains in the U.S. It is supported by a couple of concrete crutches and continues to bloom every year. It is just outside of Saint-Julien-le-Pauvre.

The 6^th century version of this church was torn down and rebuilt at roughly the same time as Notre Dame was being built. It was begun in the Romanesque style, but is mostly Gothic. It was begun between 1165 and 1170 upon the foundations of the older church. It is referred to as the “oldest church in Paris” (it was begun after Notre Dame but completed well before it). Of the city’s 12^th century churches (Saint Germain des Pres was outside of the city when it was built), it is the only one that has survived.

Like most religious and/or royal structures, it too was treated poorly during the French Revolution and used as a storage depot for salt. In the 19^th century, the church was restored and then assigned to the Melkite Greek Catholic Church. Since this group is adverse to sculptural decoration, there is just one statue remaining inside. It is a 17^th century carved wooden statue of the Virgin Mary and Child. The Melkite Greek Catholic Church does favor icons and so the walls of the two side aisles have several icons displayed on them.

It did not take long to see the entire church as it was quite small. Since a lovely 15^th church was close by along a pedestrian-only street, we headed there next to see a church that was quite different in size and style from this small gem.

The Church of Saint-Séverin was originally constructed in 1230. After a fire in 1448 during the Hundred Years’ War, it was rebuilt and enlarged in the 15^th to 17^th centuries. Parts of the original church still exist however. The lower portion of the bell tower remains as do other bits and pieces throughout. The portal is actually from another, earlier church and the nave was built in two different styles and eras — High Gothic (13^th century) and Flamboyant (15^th century). The stained-glass windows come from many different centuries and are in many different styles. Although it is a bit of a hodge podge, it all works together quite harmoniously.

The church was named after Saint Séverin of Paris. He lived on the site of the present church in the 6^th century. One of his pupils was Clodoald (Saint Cloud). After Saint Séverin’s death, a chapel was erected on the site of his cell. This was destroyed during the Norman invasions in the 9^th century and rebuilt in the 11^th century.

After the University of Paris (now the Sorbonne) was founded in 1215, Saint Séverin became its parish church. This necessitated a much larger building which was begun in 1230.

During the French Revolution, the church was closed and used to store gunpowder. Later it was used for storing grain and church bells (which were being melted down to make cannons). Ironically, one of the oldest church bells in Paris, cast in 1412, is located at Saint Séverin.

A very distinctive feature of the apse behind the altar is the twisting central pillar and surrounding pillars that resemble stone palm trees. The branches reach up and spread into an intricate web of vaulting. The central pillar is illuminated and is quite striking.

This was another place where we sat and drank it all in for a while. Then we headed for the Musee National du Moyen Age, also known as the Musee Cluny.

Next time –Musee Cluny (Musee National du Moyen Age)

May 9, 2025

April in Paris: The Beautifully Restored Notre Dame

Once Notre Dame was open again to visitors, they were requesting that all visitors book a reservation on their website. The reservation could only be booked a day or two ahead of when we planned to visit. I kept my eye on the website in case they decided to expand the time in which a reservation could be booked. Then they decided to suspend all reservations for the Holy Week. Since that was the week we would be in Paris, we were left with the possibility of either having several hours to stand in line, or possibly not even getting in.

A French friend of mine had just been in Paris in December to visit his family and told me that the trick was to get there early in the day – as early as possible after they opened. On the day we planned to go, they were going to be open to tourists from 8am to 1:30pm. After that they would be closed to tourists to accommodate a special service. We decided we would get there by 8am.

The hotel breakfast began serving at 6:45am. We were at the restaurant when they opened. There were many items from which to choose, but we all went for a fairly light breakfast since we were walking from the hotel to Notre Dame.

Heading out from the hotel, we took a shortcut through the Louvre grounds and then walked along the river until we got to the Pont Neuf. We crossed that bridge onto the Ile de Cite and headed straight to Notre Dame. The walk had taken about 30 minutes.

It is said that a Gallic (Parisii) settlement, called Lutetia most likely existed on the Ile de City since at least the 3^rd century BC. In 53 BC, Julius Caesar traveled to Lutetia to meet with the tribal leaders, who agreed to submit to Rome. They then rebelled and were eventually defeated in battle.

After the conquest of the Parisii, the town developed mainly on the Left Bank, where the temples and baths were located. By about the 3^rd century AD, the left bank was sacked by Germanic tribes and largely abandoned. Around the mid-3^rd century, the Roman Governor had his palace on the western end of the island, near the present Palais de Justice. This was the area where we entered the island.

In 486, Clovis I, the first King of the Franks, met with Saint Genevieve about the submission of Paris. In 508, Clovis made Paris his capital. It is believed that a Gallo-Roman temple dedicated to Jupiter once stood on the site of Notre Dame.

The first cathedral of Paris, Saint Etienne, was constructed in 540 – 545, close to the west front of the present Notre Dame de Paris. The bishop of Paris, Maurice de Sully, decided in 1160 to demolish Saint Etienne and build a much larger cathedral. The area of the demolished cathedral would act as the construction site for the new cathedral. This same area (called the Parvis) was also used as the construction site for the restoration after the 2019 fire. The new cathedral would be dedicated to the Virgin Mary (“Our Lady” or “Notre Dame”).

Construction began in 1163 and was mostly completed by 1260. In the 13^th century the flying buttresses were added. The crown of thorns, a piece of the true cross, and a nail from the cross were housed in Notre Dame while Sainte-Chapelle was being built by King Louis IX (later Saint Louis). At some point, these items were returned to Notre Dame on a permanent basis.

During the French Revolution, the cathedral sustained major desecration. Then Napoleon’s coronation was held there.

Victor Hugo wrote The Hunchback of Notre Dame largely as an effort to create interest and lead to its restoration in the 19^th century. In 2019 a large fire threatened to destroy Notre Dame, but it survived. When I was last in Paris, in 2021, the building was completely covered in scaffolding and in the process of being stabilized and restored.

Each time I have visited Paris, I have included a visit to Notre Dame. It was always so dark inside. This time, it was bright and gorgeous. The beautiful altar had survived. The statue of Our Lady, and of Joan of Arc, and of various saints in their chapels had either survived intact or had been restored. The Rose Windows were still magnificent.

I momentarily held my breath while our bags were searched before we were let into the cathedral. But once we were through the doors, I let out a sigh of relief. My friends and I looked at each other as if we couldn’t quite believe we were there. I began taking photos with both my phone and my camera – 59 of Notre Dame in all (55 that I kept as four were badly out of focus)) and 24 that I am sharing in this post.

The traffic inside of the cathedral was essentially directed to the left. At this point in the day, the crowd wasn’t overwhelming. It wasn’t a problem to go at our own pace and to just sit down whenever we needed to do so to contemplate it all. We stopped. We examined. We remarked to each other. We were in awe.

I was noticing things I had never noticed before – perhaps because I had felt rushed in the past or because it was so much easier to see everything now. For instance, I don’t remember ever seeing the details of the choir screen before or seeing the effigy of a medieval bishop behind the altar. This is the only remaining medieval funerary sculpture still in existence in Notre Dame.

Once we got around the back of the altar, we found that we could actually go into the area directly in front of the altar for prayer only (no photos or conversations). We chose to do that and so stood in line briefly as others came out so we could go in. This was when I really felt overwhelmed and the tears came. Although I had not been raised Catholic, my companions had been and were also quite moved by the experience.

By the time we left Notre Dame, it was nearly 10am. The lines were now quite long and the Parvis had considerably more people moving about on it than when we had gone in. Stadium-like seating bleachers had been built down at the western end of the Parvis to allow people to sit and watch the restoration efforts. We went and sat there for a bit and took some more photos before heading for the Archeological Crypt right behind where we were seated.

Next time – The Archeological Crypt, Two Old and Diverse Churches and the Musee Cluny

May 2, 2025

April in Paris: Arrival

I was meeting up with some friends in Paris. I knew I would be arriving several hours ahead of them, so I planned a walk from the hotel (which was near the Louvre) to L’Eglise Saint Roch, Opera Garnier, Chapelle Expiatore, La Madelaine, Place de la Concorde, and back to the hotel. They were going to text me once they arrived and we would meet up wherever I was along the planned route.

Notre Dame had opened up to the public in early December and was, by all accounts, spectacular. We all wanted to see it as well as spend some time together. So a short trip was planned and booked at the beginning of February.

My flight arrived at Charles de Gaule airport from the US at 7am. The others were coming by train and would arrive around 2pm. I had travelled fairly light and had just one carryon and the bag that I would be using for my camera, etc. while on the trip (I had stuffed my travel purse inside of that when boarding the flight).

I figured that I would be at the hotel about 9am. Time for breakfast and then head out exploring. Wrong. It took me an hour just to get to the area where I would go through customs as well as the actual going through customs. I connected with my pre-arranged transportation at pretty much 8am on the dot. It took roughly two hours to get to the hotel. The good news what that the room was ready for me. The bad news was that breakfast was only served until 10:30am, so none for me that day. I immediately reversed my planned agenda.

I unpacked and got things settled in the room, then headed out. I would bypass Place de la Concorde (I had seen it many times on many other trips to Paris) and head straight for La Madeleine (which I had never been to before). After La Madelaine, I would get some lunch.

Originally planned by King Louis XV as the focal point of the new Rue Royal which led to what is now the Place de la Concorde, its building was halted by the French Revolution in 1789. Once Napoleon Bonaparte became Emperor in 1804, he decided (in 1806) to make it into a “temple to the glory of the Grand Army”. After his fall in 1814, the new King, Louis XVIII, resumed construction on what he figured should be an Expiatory chapel for the sins of the Revolution and the execution of Louis XVI. That idea was dropped and it was instead dedicated to Mary Magdalene. Chopin’s funeral was held there, as were the funerals of Coco Chanel and Josephine Baker, among others.

The exterior resembles a Greek Temple. It also has some gargantuan bronze doors which were fortunately open. I thought the interior was quite beautiful and well worth visiting. The fresco on the dome above the altar was called The History of Christianity. Just behind the altar was a monumental sculpture called The Ecstasy of Mary Magdalene. I was there the Tuesday before Easter. This was the Mary who had witnessed both the crucifixion and the resurrection.

Another couple of sculptures that I really liked were one of Joan of Arc and one called The Baptism of Christ. I took my time and then headed to a nearby café for a light lunch.

When King Louis XVI was executed in 1793, his body was taken to the Old Church of Saint Madelaine (now the site of the Chapelle Expiatoire) and buried there in its cemetery without much ceremony. In 1815, his and Marie Antoinette’s bodies were moved to a new tomb in the Basilica of Saint-Denis. Then, in 1816 the Chapelle Expiatoire began construction at the orders of King Louis XVIII.

The chapel wasn’t open, so I could only see the outside of it. The courtyard of the chapel is lined with symbolic tombs to the Swiss Guards who were executed along with the king.

From there, I walked over to the Opera Garnier, which I have visited in the past. It had some construction going on, so the façade was covered up. It was closed to tours as well. The gift shop was open, but I didn’t see anything I couldn’t live without. So, after resting for a bit on its steps along with a number of other people, I headed down the Avenue de l’Opera.

Turning at Rue Saint Roch, I worked my way down to the church by that name. That was when I got the text that my friends were at the hotel. I responded with the directions to Saint Roch and met them there.

In the time of Joan of Arc, it is said that she placed a cannon on a hill where Saint Roch now sits and shot it towards the Paris gate of Saint Honore. The English and Burgundians were in control of the city at the time (1429) and King Charles VII had been crowned not that long before. During the assault, Joan was wounded in the thigh by a crossbow bolt and her efforts failed. The location of the gate was roughly where 161-163 Rue Saint Honore is located today. There is a plaque on the side of the building there.

The first stone was laid in 1653 to build Saint Roch. It was built on and off over time for about a hundred years. On the 5^th of October in 1795 a large force of royalist soldiers occupied the street and the front steps of the church. In what is known as the 13 Vendemiaire, these troops were confronted by the young Napoleon Bonaparte and his artillery battery. They cleared the steps and secured the street. So began Napoleon’s quick rise to power. The marks of the artillery fire can still be seen on the front of the church.

One of the chapels that I really like is the one dedicated to the French Jews who were killed during the Holocaust. It is quite touching and contains the inscription, “Mon Dieu faites de moi un instrument de votre paix,” which translates to, “God make me an instrument of your peace.”

Tombs and memorials include Yves Saint-Laurent, Marie Anne de Bourbon (daughter of Louis XIV), Cesar de Vendome, and Jean-Honore Fragonard. The Marquis de Sade, and the Maquis de Lafayette were among those married at Saint Roch.

Not far from Saint Roch is a café that I have frequented often in the past. We had our dinner there, looking out at a gold statue of Joan of Arc standing on a little traffic island in the middle of a broad street. Although I had had a light lunch, I still wasn’t especially hungry, so I ordered Oeufs Poches Bio Florentine avec Crème Citron et un milkshake au chocolat (poached eggs, spinach and lemon cream with a chocolate milkshake). My lack of sleep on the plane the previous night was catching up to me. For some reason, my mind just wasn’t remembering that the French for a chocolate milkshake was simply “milkshake au chocolat”. Fortunately one of my friends, who speaks French better than I, helped me out (while laughing).

Back at the hotel, we decided that a nightcap would be a good idea (our rooms were on the same floor, so they could steer me to the right place). The bartender created a drink that involved Champagne, Chambord (a French raspberry liquor), lemon juice, and some crushed, fresh mint. Perfect.

Next time – The beautifully restored Notre Dame